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The Great Conspiracy (album)
''The Great Conspiracy'' is the second studio album by the Los Angeles psychedelic rock band, The Peanut Butter Conspiracy (PBC) on Columbia Records in December 1967. Gary Usher, who produced their debut album, ''The Peanut Butter Conspiracy Is Spreading'', was again the producer for this album. It was the last time the group released new material with Columbia as their contractual obligations were met.〔(【引用サイトリンク】title=P.B.C. Album Releases )〕 Their second album is regarded as the best of the group's outputs for its solidified sound in psychedelic music.
==History==
Recording sessions took place in Los Angeles, and New York City in the latter half of 1967 after the band completed touring for their debut album. Their 1967 national tour had the PBC opening in high-profile venues including the Fillmore Auditorium, and the Whisky a Go-Go for contemporaries like Big Brother and the Holding Company and Jefferson Airplane. The band was influenced by those they opened for and it was reflected on their album. For recording, the band added guitarist Bill Wolff previously from the band, ''Sound Machine''. The second recording by the PBC emphasized a reflection of their live performances compared to their pop-driven début album.〔(【引用サイトリンク】title=The Great Conspiracy )〕 Eight of the eleven tracks extend beyond the three-minute limit conventional for songs of the period. These extended jams, most notably "Too Many Do" and "Ecstasy", most resemble the live experience of a PBC performance. "Too Many Do" became one of the first long cut recordings to be featured in extended radio play. Alan Brackett, regarding their extended tracks, said it was "something we enjoyed a lot and I wish we had done it more at the recording sessions".〔(【引用サイトリンク】title=Alan Brackett Interview )〕 Many of the tracks include complex instrumental sections. Instrumentally, their sound was more experimental as the band included additional sound effects and distorted guitar solos, signatured by the chord stops and starts. Barbara Robison was limited to backing vocals on several tracks, and shared the singing duty with Al Brackett. However, when Robison did perform lead vocals, like on the track "Pleasure", she displayed a powerful voice with emotional integrity. Overall, the band's sound was more focused as they were allowed recording freedom.〔〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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